Binge-Watching This Year's Festive Features: The Good, The Bad and The So-Bad-It's-Good.

‘Tis the season to slob out on the couch and demolish a tin of mince pies in front of a good movie, a awful feature, or one that’s awesomely awful.

Once again, a selection of new holiday movies aims to become part of our holiday traditions—potentially even joining the ranks alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).

So, in a vital public service to separate the winners from the losers, and to embrace the festive feeling, I watched as many fresh holiday releases as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Starting, ideally, on a positive note. This release is the sole 2025 title on a popular review site's list of the top 100 festive features of all time.

The popular band end up trapped in the UK after concluding their global concert series and must make it back for Christmas. Their attempts are hampered by an villainous Saint Nick, who bursts into melody to state they won’t get home until they “rediscover their sibling bond.”

The banter between the arguing trio is enjoyable even for the casual viewer, while followers will no doubt notice lots of in-jokes as they endeavor to get back using any means of transport necessary.

It’s a travelogue of mishaps.

It’s not legendary, but is superb for fans and a solid start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.

Next: A Star in Panto

A-list actor Kiefer Sutherland has been cast as a celebrity roped into a pantomime.

“A what's a panto??” asks Sutherland’s “temperamental” and older lead Brad Mack, who has fallen on hard times and whose agent has misled him into thinking he’s starring in prestigious English theatre.

His pantomime fellow actors let him know he’s playing Buttons. “Absolutely not,” he retorts. You can guess their reply. Unless you’re unfamiliar with traditional stage call-and-response.

There are some hilarious moments, some heartwarming sub-plots, and the supporting actors is brilliant, too.

It’s the sort of feature that would be a bit naff at another season, but is a lot of fun at Christmas.

Christmas tree rating: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

An actor appears at the start of this film, too, insulting someone for the second consecutive movie. Is this a budding festive ritual?

This time, he’s a crooning chauffeur who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale unfolds as the miserly Mr Sood is visited by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This cultural adaptation is at least distinct from all the others, but regrettably he’s not very captivating and Nayyar’s acting is wooden—a problem when he’s so the main character.

Christmas tree rating: 🎄🎄

Noon: A BBC Special

Before lunch for a network's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”

But after he is awarded an large festive windfall at work, his wife (portrayed by Morgana Robinson) persuades him blowing the money on a holiday to Lapland.

There’s just one problem—he finds out there was an mistake with his bonus, which should have been £800, and he has to determine how to reimburse the remainder.

Fun while it lasts but not lasting.

Festive score: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those Christmas films where the decorations and snow are in the setting—Christmas is the scene of the film rather than its raison d’etre—but it feels cosy and festive all the same.

Ambitious executive Sydney (starring Minka Kelly) is dispatched to a French chateau to do a deal for a sparkling wine company. En route, she runs into a guy in a bookshop who promises to show her a festive Paris.

A critic recently claimed this is the top new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a holiday love story with a dash of elegance and gives the obligatory heartwarming sensation.

The scene with a lengthy discussion about Die Hard is notable too.

Holiday verdict: 🎄🎄🎄

3.29pm - Finding Father Christmas

Teenage Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the persuasion of his dad (played by James Buckley) to tell him otherwise.

The secret is somewhere, and Chris sets out to find it with the expert help of a group of well-known experts and celebrities.

It’s low-key but charming, and good viewing while anticipating Santa to visit.

Holiday verdict: 🎄🎄🎄

Late Afternoon: Oh. What. Fun.

Michelle Pfeiffer is the head of a dysfunctional American family who reunite for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the real champions of the holidays—moms.”

So that’s what this is, but in execution it’s really a combination of those forerunner films, at least until Pfeiffer’s character eventually comes into her own.

Festive score: 🎄🎄

6.43pm - A Scottish Christmas Secret

The day’s gone downhill, but thankfully here’s a new entry in the saturated market of predictable, sentimental, cheesy—and strangely compelling—holiday fare.

It’s a story as well-worn: An American woman journeys to a distant snowy land and ends up stumbling across romance.

In this case, Caprice Bourret plays a publisher

Gina Barrett
Gina Barrett

Oliver Chen is a cloud architect and tech writer with over a decade of experience in distributed systems.